Quoth the Raven

bossa nova, crazy drill drum patterns, hard 808 bass, hard kick, london rap

April 14th, 2024suno

가사

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor, I muttered, tapping at my chamber door— Only this and nothing more (nothing more!). (Ah), distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; vainly I had sought to borrow From my books surcease of sorrow sorrow for the lost Lenore For the rare and radiant maiden whom the angels name Lenore Nameless here for evermore (evermore!). And the silken, sad, uncertain rustling of each purple curtain Thrilled me filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating Tis some visitor entreating entrance at my chamber door Some late visitor entreating entrance at my chamber door This it is and nothing more (nothing more!). Presently my soul grew stronger; hesitating then no longer, Sir, said I, or Madam, truly your forgiveness I implore But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you here I opened wide the door Darkness there and nothing more (nothing more?) Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, “Lenore?” This I whispered, and an echo murmured back the word, “Lenore!”— Merely this and nothing more (nothing more...) Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. “Surely,” said I, “surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore— Let my heart be still a moment and this mystery explore;— ’Tis the wind and nothing more!” (nothing more!) “Surely,” said I, “surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore— Let my heart be still a moment and this mystery explore;— ’Tis the wind and nothing more!” (nothing more!) Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door— Perched upon a bust of Pallas just above my chamber door— Perched, and sat, and nothing more (nothing more) Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven “Nevermore.” (Nevermore)

추천

Каждому своё
Каждому своё

melodic art-rock, piano, dreamy metal, male, epic, gentle song, Slide 4/4,epic orchestral,progressive,futuristic,violin

Echoes of Our Love
Echoes of Our Love

r&b,soul,jazz,rhythm & blues,pop soul,soul jazz,blues

With You
With You

acoustic mellow indie

Háblame
Háblame

Guitarra Romántico

Mutation Chaos
Mutation Chaos

math rock, J-pop, mutation funk, edm, bounce drop, dubstep

Not Your Puppet
Not Your Puppet

pop anthemic empowering

Dark Forest Whispers
Dark Forest Whispers

gospel quartet

Solitary Traveler
Solitary Traveler

dreamy rock male singer clear voice

My spirit won’t flee
My spirit won’t flee

Feminine, melancholy, deep, love, duet

The Leprechaun's Jig
The Leprechaun's Jig

Irish-Folk, Folk-Punk, Female Lead, Streetpunk

Music from 69420 BC
Music from 69420 BC

Tribal Metal Dubstep

Where's My Lawyer
Where's My Lawyer

funk bass, acoustic drums, breakbeat, female vocals, oldschool, funk bass

Talia My Love
Talia My Love

oriental melodic acoustic

Ghosts of Our Love
Ghosts of Our Love

harmonic soulful slow blues

0001
0001

Progressive Metal, Dark, 140bpm

Elegy Written In A Country Churchyard
Elegy Written In A Country Churchyard

Steady beat, deep bassline, rhythmic post-punk guitar, detached, distanced, melancholy, spare, austere, calm, dreamlike

Digital Oscillation
Digital Oscillation

experimental bubblegum math rock/lofi g-funk chiptune

Ride the Tidal Wave
Ride the Tidal Wave

west coast heavy rock metal hard guitar heavy instrumentation