[Domra outro]22:T8e0,[Follow the tabs exact] [intro tempo="moderate" dynamics="soft"] [clean_electric technique="harmonics_and_soft_tapping"] [|-<12>h14p<12>--<7>h9p<7>--<5>h7p<5>-|] [|-----------------------------------|] [|-<0>---------<0>--------<0>--------|] [/clean_electric] [acoustic technique="percussive_fingerstyle"] [|-0-----0-----0---(x)--0-----0-----|] [|---0h2---2p0------2-----3---------|] [|---------------------2--------2---|] [|-0-----0-----0-----0-----0-----0--|] [(x) = slap on body] [/acoustic] [verse1 tempo="moderate" dynamics="medium-soft"] [clean_electric technique="tapping_with_natural_harmonics"] [|-12h<17>p12--14h<19>p14--15h<24>p15-|] [|-------------------------------------|] [|-<0>---------<0>----------<0>--------|] [/clean_electric] [acoustic technique="tapping_and_harmonics"] [|-<12>--14--12--<5>---7---5---------|] [|-------12--10------7---5-----------|] [|--14---------12-------------------|] [/acoustic] [chorus dynamics="medium"] [clean_electric technique="hybrid_picking_with_harmonics"] [|-7--<12>--10--<17>--7--<12>--5--<17>-|] [|-8---10---13---15---8---10---7---15--|] [|-7---9----12---14---7---9----6---14--|] [/clean_electric] [acoustic technique="percussive_slap_and_tap"] [|-(x)7-(x)9-(x)12-(x)10-(x)9-(x)7---|] [|-8---10--13---11---10--8-----------|] [|-7---9---12---10---9---7-----------|] [(x) = slap on body] [/acoustic] [bridge tempo="slow" dynamics="soft"] [clean_electric technique="artificial_harmonics_melody"] [|-<12>--<14>--<12>--<17>--<19>--<17>-|] [|-----------------------------------|] [|-<0>----<0>----<0>----<0>----<0>----|] [/clean_electric] [acoustic technique="harp_harmonics_and_tapping"] [|-<7>--<9>--<12>--<14>--<16>--<19>--|] [|--7h9p7--9h12p9--12h14p12----------|] [|-----------------------------------|] [/acoustic] [outro tempo="moderate" dynamics="medium-soft"] [clean_electric technique="harmonics_and_light_tapping"] [|-<15>h17p<15>--<14>h19p<14>--<12>h14p<12>-|] [|---------------------------------------|] [|-<0>-----------<0>----------<0>---------|] [/clean_electric] [acoustic technique="percussive_tapping_and_slapping"] [|-(x)15-(x)17-(x)19-(x)17-(x)15-(x)-|] [|-15----17----19----17----15--------|] [|-14----16----18----16----14--------|] [(x) = alternating slap and tap on body] [/acoustic] [End]23:T8f0,Buenos días Miguel. Tu colega piensa que tu alem [laughter] [laughs] [sighs] [music] [gasps] [clears throat] — or … for hesitations ♪ for song lyrics capitalization for emphasis of a working group of musicians. MAN/WOMAN: for bias towards speaker Try the prompt: " [clears throat] Hello, my name is Sunset Lake parking lot . You have LAnd, uhhnhuh hung? I talk to you boy.— and I like you better now because you have pizza. [laughs] But I also have other interested paramours in my little pony lock boohook, such as my little pony hoodie boots are made of the same material as the original magical ponies, which you might have known may be the cause of their abilities for ♪ singing ♪." Please do not start any race riots up in this crib with the country club crew about the planet of the apes and the absurd twist Broadberry put on the sauaresville list to incite their furnished minds. 🎶 Music Bark like a dog and you can generate all types of audio, and, in principle, all media coverage on the kid with the mental ability to talk to pets. It doesn’t seem that the kids are just a difference between speech and music. Sometimes Bark chooses to generate text as music, but you can help it out by adding music notes around your lyrics. Try the prompt: ♪ In the jungle, the mighty jungle, the lion barks tonight ♪ 🧬 Voice Cloning Bark has the capability to fully clone voices - including tone, pitch, emotion and prosody. The model also attempts to preserve music, ambient noise, etc. from input audio. However, to mitigate misuse of this technology, we limit the audio history prompts to a limited set of Suno-provided, fully synthetic options to choose from. 👥 Speaker Prompts You can provide certain speaker prompts such as NARRATOR, MAN, WOM

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