가사
[silence] [snare drums roll from pp , poco a poco cresec to ff ] [ brass tutti join played harmonical chord , grand march as a theme]
[theme revisited with different instrumentation]
[variation 1, piccolo and Eb Clarinet ]
[variation 2, baritone saxophone and french horns, later join alto and tenor saxophones ]
[variation 3, trumpets, saxophones and clarinets and a virtusso timpani ]
[ theme again , full band ]
[ varation 4, mix of variation 1 and variation 3 , counter melody with variation 2 ]
[ variation 5 , full band ]
[ vartiation 6, marimba , xylophones, flutes and bass drums ]
[ theme ]
[ speed up , grand finale , chord powerful ]
[ really fast , tempo in 2 , drastically speed up rocket fast till the end ]
[instrumental only]
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[Opening with Unusual Chords, Full ensemble] [Tempo: Largo (very slow)] [ Begin with a series of strange and dissonant chords, using intervals like minor seconds and tritones. Introduce silence intermittently to create tension before resolving to equally strange harmonies. ]
.... ＿＋｜∥＼
[Thematic Development] [Syncopated Multiple Themes, instrumentation in Four distinct groups]
[Group 1: Saxophones, Low Horns, and Piccolo; Group 2: Clarinets, Flutes, Euphoniums, and Timpani; Group 3: Tubas, High Horns, Percussion, and Cornets; Group 4: Trumpets, Trombones, and Piccolo Trumpet Soloist] [Tempo: Allegro ma non troppo] [ Each group plays a different theme simultaneously in syncopation, with varying time signatures (5/8, 7/8, 9/8, 11/8) to create a complex, layered texture. ]
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[ Rapid Staccato Notes by Full ensemble , Tempo: Prestissimo (very fast) ]
[ Abruptly shift to a passage of sharp, staccato sixteenth notes focusing on minor second intervals to create a jarring and intense effect. ]
....＼＋｜∥ ＿｜∥＼
[ Increasing Complexity by Building a Grand Fugue, instrumentation: Full ensemble ] [Tempo: Allegro (fast)] [Start with a single voice introducing a fugue subject. Gradually add other voices, each entering with the subject or countersubject. Use intricate counterpoint and stretto techniques to build complexity and momentum.]
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[ Lyrical Interlude by french horn section tutti , only with light accompaniment ]
[ Tempo: Adagio (slow and expressive) ] [ Feature a lyrical, cantabile solo for the French horn, emphasizing expressive dynamics and phrasing. Provide a calm interlude amidst the complexity ]
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[Gradual Increase in Tension by full ensemble; Tempo: Accelerando (gradually increasing tempo)]
[ Start with a serene section and gradually build in intensity. Use crescendos, accelerandos, and increasing dissonance to heighten tension and drama. ]
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[ Hymn and Gospel-like Coda; Tempo: Andante maestoso (moderately slow and majestic) ][ Transition to a slower, more stately tempo. Utilize rich harmonic textures reminiscent of Bach chorales and gospel-inspired harmonies to bring the piece to a grand and uplifting conclusion. ]
⊙．．．⊙．．．
[ Surreal Musical Landscape which is an unconventional and Surreal Finale] [ Tempo: Varies (unpredictable, random) ; Instrumentation: Full ensemble ]
[ End with a section that explores unconventional scales and modes, such as whole tone or octatonic scales. Blend disparate elements to create a dreamlike, surreal atmosphere, incorporating improvisational segments for unpredictability. ]
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