What is guilt to you she asked?

lyrical pop, indie, female voice

June 20th, 2024suno

가사

“What is guilt to you?” she asked. And I answered: In my personal experience, I found that guilt, was a feeling I was working very hard to create, because I liked it. That really, it made me feel, like I was doing something right. That I “mastered” this guilt game, that it felt like a talent, to know when it was appropriate to feel it, and how I should act when I felt it. I saw I held a lot of pride, and actual joy, in that: The perceived correctness of my reactions. I found: That all my so-called negative emotions, were simply physical sensations unfolding within me, that had at one time, been in the wrong place, at the wrong time. I saw that as a very young child, when I was learning, what I did not understand, from adults and children around me. I would simply pin down the feeling that was there at the time. “Oh, this must be what they are referencing. That’s my guilt.” That's my guilt my guilt As I grew older, as I observed more, read more, I kept refining my guilt feeling. But I wasn’t feeling in the receiving sense of the word anymore, on the contrary I was now very busy telling myself what I felt instead. And in effect my nervous system was doing what it does best: It’s very best to recreate what I was imagining. I had successfully mastered it, it took no conscious control anymore, even the gathering of new elements in this pattern, was now happening automatically. Who would ever want to give up a talent like that? Certainly not I, I loved it. AND I loved the original sensation I had structured it up around. I longed to connect with it again. But my mastery of the guilt pattern, depended upon the mechanism, of pushing that sensation away. That was where the perceived pain was coming from: The attempt to separate myself, from myself. How could that ever be possible? I couldn’t see, that attempting to push it away, was an interaction in itself. That the pushing away, was in effect the holding it close. That I was very skilfully giving myself every aspect of what I wanted. ---*--- There can be many thoughts around how “conceptual guilt” serves, and how it is necessary and needed. In my experience they aren’t true. I can be kind, loving, compassionate and caring without “conceptual guilt”. In fact “conceptual guilt” only serves to get in the way of that. Because when I judge myself I can’t open my heart to others either. In my experience “Conceptual guilt”, promotes what it is meant to guard against, and makes it more likely that I attack, in an attempt to defend. Defending outwardly, against the assault that is only happening from within: That’s me attempting to beat myself up with my guilt, projecting my judgments of myself on to other people. There can be many thoughts around how “conceptual guilt” serves, and how it is necessary and needed. In my experience they are NOT true. I can be kind, loving, compassionate and caring without “conceptual guilt”. In fact “conceptual guilt” only serves to get in the way of that. Because when I judge myself I can’t open my heart to others either. In my experience “Conceptual guilt”, promotes what it is meant to guard against, and makes it more likely that I attack, in an attempt to defend. Defending outwardly, against the assault that is only happening from within: That’s me attempting to beat myself up with my guilt, projecting my judgments of myself on to other people. I have come to see that for me “conceptual guilt”, was an attempt at precaution: “A measure taken in advance to prevent something dangerous, unpleasant, or inconvenient from happening.” It served to immobilise me. [outro] For me “conceptual guilt” promoted the worshipping of fear, as a preventive safety. And I’d rather meet the world without that. [ending]

추천

Grão de Trigo
Grão de Trigo

Simple Acoustic Folk

Mid 90's New York type song
Mid 90's New York type song

Underground Hip Hop, Mid 90's New York

Letter’s of Love
Letter’s of Love

emotional pop heartfelt

Friendship Reigns
Friendship Reigns

pop anthemic

Borough General
Borough General

male vocalist,hip hop,trap,drill,hedonistic,hardcore hip hop,boastful

Dance of Victory
Dance of Victory

dance pop energetic orchestral strings

Sweet Whisper
Sweet Whisper

melodic pop acoustic

Whispers of Wind
Whispers of Wind

piano lofi hip hop

Endless Night
Endless Night

progressive house electronic energetic

Lonely Troll
Lonely Troll

Female Vocals, Celtic, Irish, bodhrán, didgeridoo

To Dad with Love
To Dad with Love

heartfelt pop acoustic

Tropical Island Vibes
Tropical Island Vibes

trap hawaiian with a hype mood dubstep with vocal chops hip hop reggae

Mud and Dreams
Mud and Dreams

country,regional music,northern american music,contemporary country,neo-traditionalist country,melodic,modern

The Last Breath
The Last Breath

Dark, Eerie, Menacing, Dark alternative rock,

Dans Met My
Dans Met My

pop, eurodance, eurodance with a heavy bass line layered synth arpeggios and a strong 4/4 beat female vocals, afrikaans

Equipa Sem Problemas
Equipa Sem Problemas

festivo pimba animado