The Waste Land (T.S. Eliot, 1922)

Midtempo, neoclassical rock, strong bass, ambient textures, dark, cold, brooding, mournful, classic, baritone

May 20th, 2024suno

Lyrics

[Intro] [Hook] [Verse 1] [Instrumental] [Verse 2] [Detached singing] April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. [Verse 3] What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, Come in under the shadow of this red rock, And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust. [Instrumental solo] [Verse 4] You gave me hyacinths first a year ago; They called me the hyacinth girl. —Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, Looking into the heart of light, the silence. Oed’ und leer das Meer. [Instrumental solo] [Classical coda] [End]

Recommended

It ends lonely
It ends lonely

Alternative, experimental, unusual, female vocals

撐住希望的光芒
撐住希望的光芒

j-pop, pop, upbeat, dubstep

Natasha's Reign
Natasha's Reign

male vocalist,hip hop,trap,rhythmic,southern hip hop,psychedelic,atmospheric,urban,rap,conscious hip hop,conscious,sampling,introspective,serious,warm

Standing in the middle of the road
Standing in the middle of the road

ambient instrumental soothing

When Metal Meets Jazz
When Metal Meets Jazz

swing jazz big band

Rainy Sunday
Rainy Sunday

City-Pop, Jazz, BPM120, Band style, Female Vocal, Melancholic Ballad

Sands of Serenity
Sands of Serenity

ancient egyptian chillwave uplifting melodic beats traditional egyptian

Свободы зов
Свободы зов

меланхоличный рок электрогитара

Gone Away
Gone Away

pop ballad piano emotional

la vai o pedreiro
la vai o pedreiro

, electronic, beat, pop, rock, electro, synth

Silent Waves
Silent Waves

acoustic guitar smooth bossa nova

Wisdom's Serenade
Wisdom's Serenade

female vocalist,male vocalist,show tunes,melodic,nocturnal,playful,humorous,broadway

Там где мы землю протоптали
Там где мы землю протоптали

Viking-style. Deep, Norse chants.Double deep harmonies. Tagelharpa, drums, deep, Howling chorus, hard rock

Heavenly Symphony
Heavenly Symphony

orchestra angelic power ballad

Trippin' in Kuwait
Trippin' in Kuwait

arabian trap, arabic male vocals, oud melodies