The Waste Land (T.S. Eliot, 1922)

Midtempo, neoclassical rock, strong bass, ambient textures, dark, cold, brooding, mournful, classic, baritone

May 20th, 2024suno

Lyrics

[Intro] [Hook] [Verse 1] [Instrumental] [Verse 2] [Detached singing] April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. [Verse 3] What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, Come in under the shadow of this red rock, And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust. [Instrumental solo] [Verse 4] You gave me hyacinths first a year ago; They called me the hyacinth girl. —Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, Looking into the heart of light, the silence. Oed’ und leer das Meer. [Instrumental solo] [Classical coda] [End]

Recommended

Endless Night Beats
Endless Night Beats

electropop, dancepop, Magnetic Female Vocals, Auto-Tune, synthesizers, bitpop beat

Sims music (Number 5) by the pool
Sims music (Number 5) by the pool

Fruity ,jazz flute,muzak,lounge music, mellow, chill, lo-fi

The real happiness
The real happiness

Acoustic guitar, Piano chords, Strings (violin/cello), Warm bass

Desert Moon
Desert Moon

Psychedelic Funk, Smoky Black Male Voice,

Rawness Defended
Rawness Defended

rock,punk rock,pop punk,alternative rock,energetic,power pop,sarcastic,rebellious,angry

Jetë Në Baushtel
Jetë Në Baushtel

Merengue, caribean,

I Needed This
I Needed This

1970's Black music Crowd cheers

In the heart of the forest
In the heart of the forest

Guitar, ambient, japanese, lo-fi

De klompenman
De klompenman

roots reggae

《薰衣草的梦》
《薰衣草的梦》

Melodic Bass , Acoustic, Male Singer

Las Reinas Del Caribe
Las Reinas Del Caribe

trap heavy bass

Amour éternel, toujours vrai
Amour éternel, toujours vrai

choral celtic, chanson altpop, synthwave, new wave, female voice, banjo, accordion

Vacaciones en Cancún
Vacaciones en Cancún

bachata romantic danceable

Я Иду За Тобой (I'm Coming For You)
Я Иду За Тобой (I'm Coming For You)

infectious chorus., pop, dance pop, 90s dance pop, synth-heavy with a groovy bassline and layered harmonies. male vocals with tight, syncopated rhythms and a punchy, boy band

Drum and Soul
Drum and Soul

Fast High Energy Dubstep, Saxophon, Wah wah Rhodes, F Dorian, Huge Bassline, Summer Vibes, Female Voice Choir

Thầy thích minh tuệ
Thầy thích minh tuệ

Jen , folk, acoustic, guitar, indie