
Quoth the Raven
bossa nova, crazy drill drum patterns, hard 808 bass, hard kick, london rap
April 14th, 2024suno
가사
Once upon a midnight dreary,
while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping,
suddenly there came a tapping,
As of some one gently rapping,
rapping at my chamber door.
Tis some visitor, I muttered, tapping at my chamber door—
Only this and nothing more (nothing more!).
(Ah), distinctly I remember
it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;
vainly I had sought to borrow
From my books surcease of sorrow
sorrow for the lost Lenore
For the rare and radiant maiden whom the angels name Lenore
Nameless here for evermore (evermore!).
And the silken, sad, uncertain rustling
of each purple curtain
Thrilled me
filled me
with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
Tis some visitor entreating entrance at my chamber door
Some late visitor entreating entrance at my chamber door
This it is and nothing more (nothing more!).
Presently my soul grew stronger;
hesitating then no longer,
Sir, said I, or Madam, truly your forgiveness I implore
But the fact is I was napping,
and so gently you came rapping,
And so faintly you came tapping,
tapping at my chamber door,
That I scarce was sure I heard you
here I opened wide the door
Darkness there and nothing more (nothing more?)
Deep into that darkness peering,
long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken,
and the stillness gave no token,
And the only word there spoken
was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word,
“Lenore!”—
Merely this and nothing more (nothing more...)
Back into the chamber turning,
all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I,
“surely that is something at my window lattice;
Let me see, then,
what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!” (nothing more!)
“Surely,” said I,
“surely that is something at my window lattice;
Let me see, then,
what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!” (nothing more!)
Open here I flung the shutter,
when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he;
not a minute stopped or stayed he;
But, with mien of lord or lady,
perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more (nothing more)
Then this ebony bird beguiling
my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven
wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.” (Nevermore)
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